The birth of Turkish Rap; Although Turkish youth living in Germany express that Rap Music clings to the struggle for survival, academic studies today insist that Rap music is the language of matter (DRUG). Academic circles have concluded that Turkish rap songs contain too many expressions belonging to the subculture of matter and encourage the subculture of matter.
Where is the birth of Turkish Rap, the heart of Turkish rap in Kreuzberg?
He gave his first examples of Turkish rap in Berlin, Germany. Hip-hop culture, which spread from the united states to the world, had been exported to different countries as a commercialized cultural commodity considering that the early Nineties. Hip-Hop‘s stumble upon with the Turkish diaspora in Germany used to be made feasible when African-American squaddies at American superiors, who maintained their presence in West Berlin throughout the bloodless battle, introduced tapes and CDs from their homeland with Turkish adolescence residing in Kreuzberg.
Systematic racism inequality globalizing Hip-hop culture
The political content material of those works performed at underground hip-hop events, dealing with systematic racism, inequality, and specifically the destruction of urban transformation in the united states, resonated within the ears of the Turkish diaspora, which was oppressed under the dominant German identification. Thus, the primary examples of Turkish rap music have been used to stress the authenticity of ethnocultural identification in line with the anxiousness of being absorbed by the dominant identity. Globalizing hip-hop culture has intertwined with nearby communities everywhere the arena who wish to express their subalternity, creating hybrid forms and becoming the lingua franc, specifically for young men and women.
So, as cultural products resulting from these hybridizations become artifacts that should be called global,one of the key features of hybridized hip-hop communities was the emphasis on being a subculture. In defining hip-hop subcultures, Mc Leod reinforced that tight ingroup/outgroup boundaries were drawn in these communities, and the marginality/authenticity of the ingroup was reinforced by the rejection of what was codified as the opposite.
City of ethnocultural identity BERLIN
Berlin was expressed by the emphasis on the uniqueness of Turkish ethnocultural identity and the opposition to pop culture symbolizing the secular upper class in the center of Berlin. In this sense, in the first period of Turkish rap music, the claim of marginality was based on the practice of not being a commodity consumed by everyone, being the voice of the environment against the center, of the ghetto, and of embracing the Turkish ethnic identity against the dominant German. Therefore, the dynamics of subcultural capital operated in direct proportion to the fidelity of rap music to the system of values associated with rebellion, as well as expressing, defending, and embracing one’s place and origin.
With the context of minority self-textual Turkish lyrics demonstrated by Turkish customs, the once-discipline of the hip-hop subculture in Turkey, exploring the boundaries of internal group / external staff distinctions, needed to change. The argument for marginality followed itself with narratives of neoliberalism’s individual success, similar to ostentatious consumption, depictions of lavish existence, narratives of getting out of the ghetto, and reaching skyscrapers.
The Substance Of Rap Music Sub-Culture Has Become The Language Of:
Although Turkish youth living in Germany express that Rap Music clings to the struggle for survival, academic studies today insist that Rap music is the language of matter (DRUG).
Academic circles have concluded that Turkish rap songs contain too many expressions belonging to the subculture of matter and encourage the subculture of matter.